Documentary about Aids orphans leaves important questions unanswered
Orphans of Nkandla film shown at the IDFA film festival
Mbale and her little brother lost their mother to Aids; halfway
through the film, they have to bury their father too. Nobule looks
after her terminally ill mother and her four brothers and sisters.
A sixteen-year old boy takes care of his little orphaned nieces.
'Three stories that perfectly illustrate the devastating effect
of an epidemic', explains the voice-over. These are the opening
scenes of the BBC documentary Orphans of Nkandla by Brian
What you do notice is that many of the scenes take place indoors,
in the huts of a South African kraal. Surrounded by their meagre
possessions, sitting on the bare earth, people try to cope with
hunger, filth, sickness and death. Woods creates a very glaring
contrast by juxtaposing this gloomy dead-end world with beautiful,
colourful images of the country's natural wonders, such as a pretty
butterfly sitting on a thistle and sunlit African hills.
In other words, this film does little more than portray the abysmal
poverty and misery here, whereas it would have been interesting
to know the real reason why everybody who has Aids here will do
everything possible to conceal the fact, even from closest relatives
and doctors. And what is the background to the story of the sick
woman who takes an Aids test that her husband went to his death
refusing to take himself? 'Here, a woman must obey her husband',
she says, 'which means that you do all sorts of stupid things for
the sake of your marriage.' Another strange scene is the one where
a girl who is crying over her dead father is just given a pat on
the back by her friends and told to put a brave face on things.
The film ends with some alarming statistics and a patently obvious
message: 'If the rich countries of the north don't do more to prevent
an Aids epidemic, the world will inherit a continent that is exhausted
by a plague that will continue to ruin children's lives for generations
Orphans of Nkandla is being shown as part of one of the
themed sub-programmes in the IDFA documentary film festival that
is being held from 18 to 28 November in Amsterdam. Other titles
in this sub-programme include 10 Gears of changes (South
Africa, 2004) by Ross Lloyd, Don't fuck with me, I've got 51
brothers and sisters (South Africa/France, 2004) by Dumisani
Phakathi, Story of a beautiful country (South Africa/Canada,
2004) by Khalo Matabane, and The Swenkas (Denmark, 2004)
by Jeppe Rönde.
Marrigje de Bok